3.340 file audio bebas royalti untuk "String Quartet No. 17 (mozart)"

02 Horenstein 9. Beethoven Pantheon XP 2250 - (Beethoven, Symphony No. 9 - 2. Satz)

Mozart's Serenade No. 10 in B-flat major ("Grand Partita") VII. Finale. Molto Allegro performed by "The President's Own" United States Marine Band. Broadcast on May 20, 2021, from Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, as part of the Marine Band's 2021 Virtual Showcase Concert Season.

*15 steps in 17 equal temperament on C = A♯ (Easley Blackwood's notation). Equal-tempered: 215/17:1 = 1058.82 cents. MIDI pitch bend: 106,50

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

Komm, lieber Mai, und mache, volkstümliche Melodieversion

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Beethoven: Piano Concerto No. 4, slow movement

Sonata No. 8 in C Minor Pathetique, Op. 13 - I. Grave - allegro di molto e con brio

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Symphony no. 9 in e minor 'from the new world', op. 95 - iv. allegro con fuoco. Čeština: Symfonie č. 9 "Z Nového světa", Op. 95, poslední symfonie skladatele Antonína Dvořáka z roku 1893. The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178, popularly known as the New World Symphony, was composed by Antonín Dvořák in 1893. Македонски: Симфонија бр. 9 во е-мол „Од Новиот Свет“ (1893) од Антонин Дворжак. Symfonia nr 9 e-moll „Z Nowego Świata”, op. 95, część IV. Allegro con fuoco skomponowana przez Antonína Dvořáka w 1893 roku.

Elias Goldstein Viola, Christina Lalog Piano. Paganini-Primrose

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

A fragment of the work that survived from Nannerl's music book.

The fourth piece surviving from Nannerl's music book.

Mozart's Rondo No. 3 in A Minor, K. 511 by David H. Porter

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

Artificial harmonic on D string: G', D', and B.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" III. Allegro molto vivace

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante(1)

Piano Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier: III. adagio sostenuto

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 1st movement (adagio sostenuto), performed by Paul Pitman for Musopen Italiano: Sonata n. 14 in do diesis minore "Chiaro di luna", op. 27 n. 2, I movimento (adagio sostenuto), eseguito da Paul Pitman per Musopen

Italiano: 4ª sinfonia di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham durante il suo tour europeo con la Royal Philharmonic Orchestra nel 1957. Wagram Hall, Paris, France (10/08/1957 - 11/03/1957); Kingsway Hall, London, England (04/16/1958)

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" II. Allegro con grazia

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

First 4 measures of the first movmemt of Ludwig van Beethoven's Piano Sonata in C-sharp minor "Moonlight", Op. 27, No. 2.

Italiano: Introduzione del primo movimento (Andante sostenuto—Moderato con anima) battute 1-26 della Sinfonia n.4 di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham con la Royal Philharmonic Orchestra nel 1957.

Sonata No. 8 in C Minor „Pathetique“, Op. 13 - II. Adagio cantabile

Sonata 'Waldstein', op. 53 - ii. introduzione - adagio molto

Sonata no. 15 in d major, op. 28 'pastorale' - ii. andante

Italiano: Symphony No. 6 in B minor, Op. 74, "Pathétique" IV. Finale- Adagio lamentoso

Schubert, Ave Maria, adapted to Latin words complete

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Don Giovanni, Overture bars 85-99

Mozart, from Piano Sonata K310, first movement

Mozart Minuet from Trio K498, bars 94-100

Mozart Minuet in F K5

Mozart, Symphony 41, finale, bars 190-199Mozart, Symphony 41, finale, bars 190-199

Mozart, from Piano Concerto No. 21, K465

Mozart Romanze from Piano Concerto 20

Mozart Symphony 41, finale, fugal passage